{"id":495,"date":"2020-06-29T17:38:36","date_gmt":"2020-06-29T15:38:36","guid":{"rendered":"https:\/\/ldzf.zti.hu\/?p=495"},"modified":"2023-03-04T17:39:01","modified_gmt":"2023-03-04T16:39:01","slug":"the-work-of-the-digital-music-fragmentology-research-group-reported-by-the-press","status":"publish","type":"post","link":"https:\/\/ldzf.zti.hu\/en\/2020\/06\/29\/the-work-of-the-digital-music-fragmentology-research-group-reported-by-the-press\/","title":{"rendered":"The work of the Digital Music Fragmentology Research Group reported by the press"},"content":{"rendered":"<p class=\"p1\">The recent publications of the research group, the critical edition of the <i>Antiphonale Varadinense<\/i> and the newly established series <i>Resonemus pariter \u2013 Studies in Medieval Music History,<\/i> got to the attention of multiple academic forums and of the broader circle of curious readers.<i> <\/i>A report on the publishing of the books in the newsfeed of the Hungarian Academy of Sciences can be read here: <a href=\"https:\/\/mta.hu\/mta_hirei\/foldarabolt-es-ujraegyesitett-kozepkori-kodexek-az-mta-lendulet-digitalis-zenei-fragmentologia-kutatocsoport-legujabb-eredmenyei-110706\"><span class=\"s1\">Mediaeval codices cut up and rejoined \u2013 the most recent achievements of the HAS Momentum-Digital Music Fragmentology Research Group<\/span><\/a><\/p>\n<p class=\"p1\">An interview with Zsuzsa Czag\u00e1ny on the publishing of the <i>Antiphonale Varadinense<\/i> in the online magazine \u201cHitvall\u00e1s\u201d [Creed] of the Gy\u0151r Diocese: <a href=\"http:\/\/gyor.egyhazmegye.hu\/#\/hir\/megjelent_a_varadi_antifonale_kritikai_kiadasa__czagany_zsuzsa_zenetorteneszt_kerdeztuk_\"><span class=\"s1\">The critical edition of the <i>Antiphonale Varadinense<\/i> was published \u2013 we asked the music historian, Zsuzsa Czag\u00e1ny<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The recent publications of the research group, the critical edition of the Antiphonale Varadinense and the newly established series Resonemus <span class=\"uk-text-mute\">[&#8230;]<\/span> <a class=\"uk-link-more\" href=\"https:\/\/ldzf.zti.hu\/en\/2020\/06\/29\/the-work-of-the-digital-music-fragmentology-research-group-reported-by-the-press\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":137,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-events"],"_links":{"self":[{"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/posts\/495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/comments?post=495"}],"version-history":[{"count":1,"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/posts\/495\/revisions"}],"predecessor-version":[{"id":496,"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/posts\/495\/revisions\/496"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/media\/137"}],"wp:attachment":[{"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/media?parent=495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/categories?post=495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ldzf.zti.hu\/en\/wp-json\/wp\/v2\/tags?post=495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}